The natural beauty of jade and the expression of creative beauty

Small stone

A small piece of jade will take hundreds of millions of years to form. The material source of Chengyu is the dolomite deposited in the shallow sea in the late Middle Proterozoic (about one billion years ago). It has undergone crustal movements such as the Tarim Movement and the Hualixi Movement, and the late Hualixi intrusion. The medium-acid rock veins contacted and replaced the jade. The jade mine was buried underground and later moved through the earth's crust and rose to the ground along with the Kunlun Mountains. After several years of wind and rain, the rock broke and weathered, and it fell with the impact of the flash flood. Local residents have had the custom of fishing for jade in the slack season since ancient times, and the explorers of the Central Plains have come to Hetian to find jade.

When a small Hetian jade was held in our hands, what we felt was her warm and soft touch, the jade in the sky, and the sound of the far-reaching. However, because of the many characteristics of jade, the ancestors began to put jade into labor production very early. In the process of labor, the beauty of jade was discovered, and worship was made by beauty, and it was personalized by worship. For thousands of years, jade has been given a lot of spiritual connotation! The Buddha said: "One flower, one world, one leaf is like one." In fact, you can add two more words: "Junzhang is boundless, and there is always robbing." Four sentences tell us that from a small thing we can see the whole world. From a point of time, we can see the time extending infinitely to both ends; likewise, outside a world, there may be countless In the world, there will be time before and after the beginning of time. Just like a small jade, it may not be strange to put it on the palm of your hand. However, when you explore it in detail, you can find that she can contain the whole world!

Beautiful natural beauty

Nature is the habitat of mankind, and it is the place where human beings live. If there is no suitable nature, human development, progress, and civilization will become the water of passive water. The power of aesthetic consciousness cannot be underestimated, and we will have a deep understanding of the style and color of the streets. A new aesthetic consciousness will have a huge impact on people's lives and behaviors. “Beautiful jade does not mean” brings new aesthetic consciousness to people and she is also the true interpretation of beauty. She will let people realize that heaven is better than man-made. Natural beauty is the greatest and most unsurpassable beauty. She shows people the original ecology and natural beauty. This aesthetic sense will experience nature and experience the beauty of nature. “No blasphemy” calls on human beings to protect nature and admire nature.

“Beautiful jade does not mean” does not mean any decoration of Hetian seed jade. “Flowers need green leaves to help”, and jade also needs other materials to make it more beautiful. Jade is not only the rare, precious, perfect, uncut Chinese jade stone as the main body, accompanied by precious accessories (redwood base, metal decoration, etc.), using traditional Chinese techniques, advocating modern people Natural beauty, fashion sense and modern humanistic spirit are perfectly presented on the Chinese jade stone, thus creating the true, good and beautiful with the Chinese nation's jade, jade and jade as the standard, so that the material needs and aesthetic consciousness of human beings begin to the original ecology. "The natural beauty" returns to the common art of the return.

Each piece of rough stone has a different texture and a unique artistic conception; each piece of original stone has a different skin color and has her unique life. Jade has been infused with too much Chinese cultural connotation. It is a symbol of Chinese human spirit "German" and "Ritual". The jade shape is round, delicate and rich in color. It has a luster from glass to grease. The skin color is white, gray and blue. White, cyan, yellow, gray, black, sugar, light green to dark green, etc., can satisfy people's visual enjoyment. Therefore, “not swearing” can keep jade in the most “original” state, which can make the jade show the most original beauty.

This is in fact a noble morality, a kind of gratitude and dedication. Nature is the home of human life. In fact, to love nature is to love oneself, that is, to strive for more living space for mankind. This is a virtue, a kind of gratitude and dedication. The jade is a new kind of culture. Compared with the ancient jade culture, which is not worthy of the ten jade, the jade culture stands for the Chinese modern jade culture. This jade culture is about the inner harmony of man and the harmony between man and nature. It also emphasizes the harmony between people and society. She is the essence of modern jade culture. This new culture is a jade culture that can promote the Chinese 8,000-year-old jade culture. She will become a symbol of human harmony. The guidance of advanced theory can make people's practice achieve more and more effective results. It can be seen that with the new culture and new material, it is beneficial to both the spirit and the material. The development and harmony of society in the modern era. This harmonious thought is the symbol of modern civilization. She shows that people in this highly technologically advanced era have the latest understanding of nature and the most profound understanding of their relationship with nature for many years. Beauty jade is a successful example of human creative thinking. This world is progressed only because of its development. Beauty is not awkward. We need more creative thinking that is both beneficial to nature and beneficial to human beings. Such creation is a harmonious creation, harmony, and how beautiful it is.

God-shaped creation beauty

"Gold is valuable for priceless jade." Therefore, the collection value of jade carving is conceivable. China's splendid and long-lasting jade culture has also spawned the worship and awe of Chinese people. Jade carving symbolizes China's long-standing national traditional culture. As Engels believes, human beings have produced aesthetic values ​​juxtaposed with practical values ​​since the stone age of invention tools. Jade material not only has a hard texture, but its own color will be reflected and contrasted with different colors after processing. The rich expression of natural color can be used to convey the feelings and make the work more vivid. It is necessary to turn the natural jade into a visible jade carving with a certain form and content. Of course, it is inseparable from the craftsmanship and skill of jade carving. Practice makes perfect, and it can be turned into magic.

Jade carving is a static visual image that uses natural jade material, created by human wisdom and hands, reflects social life, religious beliefs, folk traditions, expresses the author's thoughts and emotions, and has a high aesthetic meaning. It uses appropriate tools to remove excess parts from the inside and the inside, from coarse to fine, making it an entity of economic value and aesthetic significance. Once the entity is completed, it is a finished jade carving.

Jade carving creation is an artistic image composed according to the law of form beauty. It also appreciates the frivolous festival as much as the national quintessence of Peking opera art, emphasizes the form and content, and pays attention to the form beauty. It can be said that jade carving is not a large symphony, but a lyrical light music, just like drinking a cup of tea, both exciting and soft. The creation of jade carvings must of course reflect life and express certain ideological content, but it differs from painting in terms of degree, form and expression. It is expressed by highly generalized, exaggerated, implied and symbolic means, such as four season flowers. At the same time, the sun and the moon shine at the same time.

As a plastic art, jade carving emphasizes the law of form beauty and pays attention to the use of different carving techniques to express the beauty of form. Its carving techniques mainly include round carvings and reliefs. The round sculpture is the subject of expressing the jade and the works through the body, the surface, the line and other modeling means in the actual space. The round sculpture can express the momentum through the volume, express the details through the undulations and the changes of the line, and constrain the shape through the lines to highlight the outline. The viewer can enjoy the sculpture from any angle around the sculpture. The relief is a three-dimensional image carved out of the plane on the plane, which uses perspective, illusion and solid image to create a more virtual space effect, which can represent intricate scenes. Round sculptures and reliefs often appear on the same jade carving work at the same time, and the two expressions are set off against each other. In the performance of jade carving works, it is usually divided into mountains, utensils, figures, flowers, etc. In terms of craftsmanship, the principles of appreciation and evaluation are not the same. This classification has the professionalism of the technique and also captures the formal characteristics of the work. However, the scope of the works is very broad, and the subject matter of the works has a tendency of constant change and development with the development of the times. Therefore, it is necessary to draw on the research results and research theories of art to decompose the aesthetic elements of various jade carving works. And summarizing, in order to truly understand the appreciation and evaluation of jade carving works.

According to the characteristics and key points of jade carving works, it can be simply classified into three categories: figurative jade carving, decorative jade carving and abstract jade carving. Of course, the understanding of this division can not be excessively dogmatic, this classification is not absolutely and completely, such as the jade carving and the abstract jade carving have decorative functions: and the decorative jade carving often adopts different figurative combinations and abstract patterns to highlight the theme and strengthen Decorative effect; abstract jade carving must be an abstract representation of certain objective figurative things, and its expression must have some decorative effect.

Figurine jade carving

It is based on objective things and reproduces its appearance, look, dynamics, personality and so on. Reproduction is not just a simple copy and imitation. Instead, the characteristics should be grasped, and the deeper artistic conception should be expressed. The tangible performance is invisible, and the imagination and association of the audience can be mobilized to achieve artistic effects. Such as jade carving animals, plants, characters, etc. in addition to accurately depicting its appearance. It is also necessary to convey information such as its dynamics, demeanor, thoughts and personality through the momentary image of solidification. The point of appreciation of the figurative jade carving is whether it is accurate, vivid, natural, and expressive.

Decorative jade carving

It is based on objective things, but expresses the aesthetic decorative value through generalization, exaggeration, refinement, etc., and pays attention to the viewer's experience and enjoyment of beauty. Such as jade carvings, screens, jade carvings, utensils, etc., the subject matter of creation can be more extensive. The appreciating point of decorative jade carving is not in reality, but in whether it has aesthetic sense and whether it conforms to formal beauty laws, such as symmetrical equilibrium, harmonic contrast, rhythm rhythm, and diverse unity.

Abstract jade carving

Usually it is the direct expression of the essence and the internal structure. It expresses the rhythm and rhythm of time and space in points, lines and planes, and pursues the relative unity of time and space. Expressing the complexity and essence of human thought, focusing on ideological and artistic. Due to the characteristics of materials and the influence of tradition, the abstract jade carving entities in the true sense are rare in Chinese jade carving works, but abstract patterns are everywhere, such as vortex, enamel, disk length, and Taiji. With the pursuit of spiritual life and the improvement of the ability to appreciate, it is believed that the abstract jade carving will definitely give birth to its own appreciation group in China. The main point of appreciation of the abstract jade carving is whether it can mobilize the viewer's emotions, produce rich associations and strong resonance and recognition.

The content of jade carving works mainly refers to the synthesis of themes, main ideas, characters, environment, plots, etc., and is expressed through form. Relative to form. Content can usually be described and expressed in the title or language of the work. The content and form of jade carving works are inseparable organisms, which are mutually influential and relatively independent. For example, the form of the work itself has a unique aesthetic value, and this aesthetic experience is more focused on emotion. Once the work is completed, its form is fixed. The content will vary depending on the viewer. The exploration of content depends on the author's knowledge and talents on the one hand, and on the other hand, on the viewer's own level of appreciation. The content of jade carving works usually seems simple and popular, but after full digging, it often finds its profound meaning and rich connotation. Although there have been some works of ridicule and warning content in the industry in recent years, most of the contents of jade carvings are from the positive perspective of ancient and modern, singing beautiful things and expressing happy life.

Naturally produced things have beautiful characteristics. The physical properties of the jade materials themselves and the texture of the materials constitute a natural beauty, which is also a unique condition for jade carvings. In the Han Dynasty {Speaking Words}, there are records of "Jade, the beauty of the stone, the color of the crystal, the sturdy, the solid, the sound of the buckle, the touch of the warmth". A successful jade carving work is to make full use of the beauty of the raw materials. This involves some technical issues in the design of jade carvings. The basic point is to dig dirty and smash, to highlight the beauty of jade, and to return to the truth. In the law of design creation, it is the material used for the material.

The transparency and smoothness of jade are strong, and the details are not conspicuous. This should be done in the shape. Stimulate the vision with a fully exposed appearance and impress the mind. At the same time, we should also pay attention to the contrast between complexity, density, virtual reality, and static and dynamic, so as to achieve perfect results.

It seems that there is some disharmony between jade and jade carving. However, when we think carefully from the point of view of philosophy, we will find that they have inner unity. In Chinese jade culture, the natural beauty and beauty of jade are only in the form of expression. There are differences in personality, and they also represent the harmony and development of Chinese jade culture. Jade is natural, and Chinese jade culture reflects humanity's longing for a happy life. Because jade is a long-lasting materialized form of people's pray for a better life in the human society of nature.

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